We, who were raised in pre-nihilist America, find most of today’s movies, TV programs and literary works hideous and depressing. We cringe at the obsessive sexuality of Hollywood’s cinematic pretensions, at its love affair with anti-heroes, and the reprehensible way it so cavalierly saturates its stories with over-the-top violence. We find ourselves aghast at how much boorish mediocrity and phantasmagoric ugliness pulsate through the commercial byways of modern America calling itself
Cultural Marxism: The Corruption of America
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